Review: Utah Shakespeare Festival’s ‘Boeing Boeing’ is raging fun

September 26, 2014 - accent chair

Cedar City • Jo Winiarski’s stylish living-room set for “Boeing Boeing,” that only non-stop during a Utah Shakespeare Festival, reveals all we need to know about a uncover you’re going to see. With a life-size forged llamas, Plexiglas tables and weird tennis-ball chair, it is intelligent and sophisticated, though it is also sharp and all aspect — no risk of abyss here.

And it has an lavish series of doors, a certain pointer of a farce. This prolongation parlays those doors into nonstop comic action. As one impression observes, “That’s how a tip happens. You only don’t see it.”


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‘Boeing Boeing’

“Boeing Boeing” is a bit long, though a enterprising garb expel plays a moments so good that you’ll be shouting too many to notice.

When » Reviewed Sept. 19; plays in rotating repertory with dual other productions Tuesdays by Saturdays during 2 and 7:30 p.m. by Oct. 18.

Where » Randall Theatre, Utah Shakespeare Festival, 300 West and Center Street, Cedar City

Running time » Two hours and 40 mins (including an intermission)

Tickets » $32 to $73 with discounts for groups, students and seniors; 800-PLAYTIX (752-9849) or www.bard.org.


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Slick also describes Bernard (Grant Goodman), a seducer who lives here. An American designer vital nearby Orly Airport in Paris, he has independently acquired 3 fiancées, stewardesses who fly in and out of his life during precisely distributed intervals. Gloria (Sara J. Griffin) is a brassy, dogmatic American who works for TWA. Gabriella (Tracie Thomason) is a charming, romantic Italian who flies with Alitalia. And Gretchen (Nell Geisslinger) is an athletic, strict German with Lufthansa.

Bernard enjoys “all a advantages of married life with nothing of a drawbacks,” he boasts to his aged friend, Robert (Quinn Mattfeld), who has only arrived from Wisconsin, where “things are quieter.” “I can’t be though any of them. It’s a ideal life,” he enthuses.

“There aren’t many like monsieur,” opines Berthe (Maryann Towne), Bernard’s sharp-tongued, submissive French maid, who has to repair nationally suitable dishes for all a women. “I’m losing my mind here,” she complains.

On that sold morning, Gloria is only leaving, Gabriella is interlude over for lunch and Gretchen is nearing late that night. “All we need is a timetable,” Bernard brags.

It’s easy to see what’s coming. When report changes and bad continue land all 3 women in a unit simultaneously, Robert frantically tries to assistance a beleaguered Bernard conduct a mayhem. “It’s really some-more engaging than Wisconsin,” observes a gay Robert.

The tip to successful imitation is clearly chaotic, though ideally timed, execution by an inventive, clever expel and a executive who can keep them consistently on a same page. “Boeing Boeing” is too prolonged and infrequently thinks it is funnier than it is, though executive Christopher Liam Moore and a actors pierce it along during such a raging gait that we substantially won’t notice.

Goodman’s robust courage dissolves into excitable bewilderment, a 3 stewardesses supplement individualizing quirks to their inhabitant stereotypes, Mattfeld shamelessly exploits any column for comic effect, and Towne melodramatically creates a many of any meltdown. The garb is so stretchable that a integrate of opening-night flubs simply got incorporated into a fun.

Rachel Laritz contributes sassy, color-coordinated costumes — any lady has a signature shade right down to her underwear and nightclothes — and Todd Ross’ lighting is splendid and upbeat. Vocal manager Adrianne Moore creates certain that any accent is graphic and intelligible.


Some people jokingly pronounce a show’s pretension as “Boing Boing.” The element might be stupid and rather dated, though a jokes keep ricocheting off one another to emanate mixed layers of laughter.

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source ⦿ http://www.sltrib.com/sltrib/entertainment2/58454905-223/boeing-bernard-festival-shakespeare.html.csp

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