Beaming There: Ticonderoga’s First ‘Star Trek’ Convention
September 10, 2015 - accent chair
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- Ken Picard
If we ever make a bucket list, there’s one object we won’t need to put on it: sitting in a captain’s chair of a USS Enterprise as a diverge engines engage. Last weekend, we was ecstatic to this swap existence inside a former Family Dollar store in a vexed Adirondack indent city — that itself sounds like a grounds for a classical “Star Trek” episode.
On Friday, we done a 90-minute expostulate from Burlington to Ticonderoga, N.Y., for a first-ever Trekonderoga “Star Trek” convention. Held from Sep 4 to 6, a eventuality was a brainchild of James Cawley, a 48-year-old Ticonderoga local who, for a past 27 years, has done his vital as a roving Elvis impersonator.
Trekonderoga was no typical gathering of memorabilia dealers and expel and organisation members, yet some of those were present. It was also Cawley’s event to uncover off — and assistance account — a complex, ongoing work of fan art.
In a 1990s, when Cawley was operative in LA on a prolongation of “Star Trek: The Next Generation,” he befriended William Ware Theiss, dress engineer on a strange 1960s “Star Trek” series. As a gift, Theiss gave Cawley a strange blueprints that Desilu Productions used to emanate a Enterprise sets: a bridge, transporter room, ill bay, discussion room, captain’s quarters, hallways and engine room.
Like me, Cawley grew adult in a ’70s examination “Star Trek” in syndication and dreamed of personification Captain James T. Kirk on a Enterprise. Those blueprints, he said, “were a keys to a playground. So we unbarred a gate.”
In a early 2000s, Cawley and associate Trek fans began devoting most of their giveaway time and income to re-creating those strange sets, with recurrent courtesy to detail. Then they started filming new “Star Trek” episodes featuring a classical characters, job their array “Star Trek: New Voyages.” (For a time, a uncover adopted a moniker “Phase II,” that Cawley has given dropped.)
All a episodes are filmed in Cawley’s Retro Film Studios, that he changed final year from Port Henry, N.Y., into a empty supermarket in downtown Ticonderoga. The productions are roughly wholly crowdfunded and use donated reserve and a proffer expel and organisation of some-more than 300, some of whom are courtesy professionals and fly in from as distant as Australia. Once completed, a episodes are posted online and can be watched for free, that reduces their risk of authorised movement for copyright infringement.
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According to Dennis Hotston, who handles PR for “New Voyages,” Cawley has a “very considerate relationship” with CBS, that owns a rights to “Star Trek.” As he put it, “There’s never been anything adversarial. If CBS says, ‘Don’t do this,’ we don’t do it.”
Last weekend’s Trekonderoga was recognised as a approach to let Trekkies revisit a sets while assisting lift a $50,000 indispensable to emanate any part of “New Voyages.” In July, Cawley wrapped principal photography on a 13th episode, patrician “Torment of Destiny,” that comes out subsequent year.
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While induction for Trekonderoga during circuitously North Country Community College, we met Lance Clark, co-executive executive of a Ticonderoga Revitalization Alliance. The nonprofit partnered with Cawley in an bid to breathe new life into a downtown, that has struggled given International Paper changed a indent to a hinterland of Ticonderoga in 1969. Coincidentally, that’s a same year NBC canceled “Star Trek” after usually 3 seasons.
Clark voiced wish that a gathering would be successful adequate to hint destiny events and pull tourists over those who come to see Ticonderoga’s ancestral fort. As he put it, “Being means to go from a 18th to 23rd century could unequivocally move some life into downtown.”
An hour later, we stood outward a studios and chatted with about a dozen Trekkies watchful in line, some of whom had trafficked from Boston, Philadelphia or New Orleans. we saw a few in their twenties and a family from Albany, N.Y., including a father and daughter in Starfleet uniforms. Most, however, were comparison group drifting solo.
Among them was Grant Thatcher of Bennington, who grew adult in circuitously Schroon Lake, N.Y., and taught during Ticonderoga High School when Cawley was a tyro there. Thatcher, 55, got to see “Star Trek” when it creatively aired on NBC — that is, once his relatives bought an receiver that picked adult some-more than one channel. He pronounced he motionless to attend Trekonderoga after saying “New Voyages” episodes online.
“I used to emporium here with my mom during a aged PC [supermarket],” Thatcher remembered. “That someone could furnish ‘Star Trek’ episodes here usually blew me away.”
The studio doorway non-stop to exhibit Willie Yee, an comparison male in eyeglasses and a Starfleet cap, who offering to uncover me around before a open tours began — yet not before display off his cherished “shuttlecraft.”
The 71-year-old late psychiatrist from New Paltz, N.Y., works as health and reserve coordinator on “New Voyages.” He’s a revolutionary Trekkie, as was screamingly apparent from his Trekked-out Prius parked out front. The car, whose permit plates review “ENTRPR A,” sports United Federation of Planets escutcheon on a hood, Starfleet stripes and a fender plaque that says, “If we can review this, my cloaking device is broken.”
Yee climbed in and dismissed adult a craft’s sound effects, that played during traffic-stopping volume: a Enterprise red alert, phasers, photon torpedoes, transporter sounds, diverge drive, overpass sensors, even a show’s thesis music. Some years ago, someone from “New Voyages” speckled a Prius during a automobile uncover and invited Yee to a studios. He’s been on a prolongation group ever given and no longer bothers to attend Trek conventions. As he put it, “I don’t wish to speak about ‘Star Trek’ episodes. we wish to make them.”
As Trekkies marveled during Yee’s “ship,” we satisfied it had been some-more than dual decades given we ventured this low into Federation space. In 1993, while operative on my master’s grade in writing, we wrote a suppositional book for “Star Trek: The Next Generation.” At a time, it was a usually TV uncover in a universe that supposed book submissions from a fans. For 6 months, we watched hours of episodes any day, training to replicate a show’s pacing and technobabble.
When a book was finished, my confidant during a University of Texas connected me with Jeri Taylor, who was afterwards co-executive writer of “Star Trek: TNG.” Taylor indeed review my book — “How could we contend no to someone named Picard?” she wrote behind in a minute — and critiqued it. Ultimately, however, she upheld on shopping it, hastily my dreams of adding another Picard to a “Star Trek” franchise. we changed on to other careers and fantasies.
Before nearing during Trekonderoga, we reacquainted myself with “Star Trek” by examination a few “New Voyages” episodes. The pilot facilities Cawley personification Captain Kirk with Elvis-like strut and concomitant pompadour and sideburns. The part picks adult where a classical Trek left off and includes a informed yet mutated voice-over: “Space: a final frontier. These are a new voyages of a Starship Enterprise…” What follows is brimful with campy nods to a original, including Kirk’s 3D chess set, a prohibited bottle of Romulan ale, Spock strumming a Vulcan lute and a lime-green, belly-dancing visitor seductress.
Admittedly, a show’s lass excursion was a bit severe — yet wasn’t that always a box for NCC-1701? Still, it was an considerable initial outing, right down to a Enterprise zipping by in a opening credits, a pitch-perfect shhtt sound of shifting doors, Uhura’s miniskirt, Chekov’s Monkees-mop hairdo and Spock’s pointy ears.
By part three, “World Enough and Time,” expelled in 2007, “New Voyages” had severely upped a diversion and prolongation values. Gone were Cawley’s Elvis pompadour and unbending acting. Uhura looked and acted hipper, and Chekov’s Russian accent sounded convincing, as did Mr. Scott’s Scottish brogue. Most importantly, a sets were spot-on.
As a covenant to a series’ flourishing clout, a third part facilities a time-traveling guest coming by actor George Takei, resurrecting his purpose as navigator Hikaru Sulu. (Walter Koenig [Chekov], Nichelle Nichols [Uhura] and James Doohan [Scotty] have all contributed to “New Voyages,” too.)
Takei delivers his best line as Spock grips Sulu’s face for his signature Vulcan mind meld.
“Shouldn’t we send me candy and flowers first?” Sulu jokes seductively. Priceless.
Yee led me inside a studio, and we “boarded” a Enterprise as is prevalent — by a transporter room. Later, some Trekonderoga attendees would compensate an additional $195 to mount there and have their cinema taken. The photos would be sent to a special-effects lab in California to emanate a apparition of their dematerializing.
As we stood on a intense transporter pad that looked as informed as it did authentic, Yee changed a “slide thingies” and mouthed a sound effect. This alone was value a trip.
Next, Yee led me into Dr. McCoy’s ill bay. Any Trek fan would now commend a bouncing white arrows on a medical monitors above any bed. From there, we headed down a winding corridor — lined with selected ’60s carpeting — to Kirk’s personal quarters. The room is meticulously allocated with period-perfect knickknacks from a strange show. They embody Kirk’s flood God statue, that Cawley had specifically carved.
“If something is off by even a half-inch, James will know it,” Yee said.
We cut by engineering — enveloped in a vibratory sound of a diverge engines — and reached a tour’s highlight: a bridge.
As we descended a stairs into the scarcely 360-degree set, we marveled, with near-reverence, during a handiwork and courtesy to fact on display: a genuine midcentury-modern Burke chairs, a instrumentation, a backlit schematics, a dead-on sound effects, and, obviously, a large shade for observation space and nemeses. The usually autocracy Cawley’s group took was adding high-def screens, one of that displayed an picture from a Hubble Space Telescope.
Occasionally, Yee noted, visitors arrive on a set by a turbo lift.
“The doors open, and people detonate into tears,” he pronounced with a chuckle. “People say, ‘I’m home!'”
I had to ask: Could we lay in a captain’s chair? Yee hesitated, afterwards told me to mislay anything pointy from my pockets.
“That chair was one of a strange ones, built for a commander [episode],” he warned. “That’s value some-more than my house.”
As we smoothly lowered my boundary to where William Shatner competence have sat 50 years ago — yet technically, he didn’t, given Kirk wasn’t even in a 1965 pilot — we knew I’d arrived during a final frontier. Later, Cawley pronounced he hopes to open a studios to unchanging tours, maybe even weddings. They’ll be backing adult around a block, we thought.
As we stepped off a overpass and behind into a 21st century, we met David Gerrold, a writer and screenwriter who wrote a classical part “The Trouble With Tribbles.” One of a handful of special guest during Trekonderoga, Gerrold was hawking his new book and Tribble four-packs.
Gerrold doesn’t attend many conventions anymore, yet he flew in for Cawley, who’s an aged friend, he said. The 71-year-old has even created scripts for “New Voyages.” we asked how Cawley’s productions review with veteran ones.
“In terms of commitment, enthusiasm, passion and dedication, we have not seen many veteran productions come tighten [to this],” Gerrold said. Cawley, he added, is “just a large kid, that is accurately what we wish from a prolongation like this.”
Driving home, that’s how we felt, too — like a 10-year-old who got to expostulate a Enterprise.